Sorry! As syntax of some programs do change so often I can't keep on. So, some presets may have outdated syntax.

Download the preset files and drag'n'drop those on AnotherGUI window or use an Import button in Preset Editor.

 

ffmpeg.exe

ProRes 185 Mbit

Executable: ffmpeg.exe
Remarks: There are 3 different ProRes codecs in ffmpeg: "ProRes", "ProRes_Anatoly" and "ProRes_Kostya". This preset is for the first one. More info here  and here.
Arguments1:-i "<FullSourceFileName>" -vcodec prores -profile:v 3 -acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.mov"
Arguments2:

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ProRes 112 Mbit

Executable: ffmpeg.exe
Remarks: There are 3 different ProRes codecs in ffmpeg: "ProRes", "ProRes_Anatoly" and "ProRes_Kostya". This preset is for the first one. More info here  and here.
Arguments1: -i "<FullSourceFileName>" -vcodec prores -profile:v 2 -acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.mov"
Arguments2:

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ProRes 75 Mbit

Executable: ffmpeg.exe
Remarks: There are 3 different ProRes codecs in ffmpeg: "ProRes", "ProRes_Anatoly" and "ProRes_Kostya". This preset is for the first one. More info here  and here.
Arguments1: -i "<FullSourceFileName>" -vcodec prores -profile:v 1 -acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.mov"
Arguments2:

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ProRes 36 Mbit

Executable: ffmpeg.exe
Remarks: There are 3 different ProRes codecs in ffmpeg: "ProRes", "ProRes_Anatoly" and "ProRes_Kostya". This preset is for the first one. More info here  and here.
Arguments1: -i "<FullSourceFileName>" -vcodec prores -profile 0 -acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.mov"
Arguments2:

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MPEG-2 elemantary max quality I-frame video only m2v

Executable: ffmpeg.exe
Remarks: Any resolution, field order from source, good for Avid Liquid/Chrome Xe, FCP
Arguments1:-i "<FullSourceFileName>" -vcodec mpeg2video -pix_fmt yuv422p -qscale:v 1 -qmin:v 1 -intra -y  "<OutputPath><OutputFileName>.m2v"
Arguments2:

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Copy codecs into AVI container

Executable: ffmpeg.exe
Remarks: Will copy video and audio to AVI container. It would be best to add -vatg with paramater if known. http://www.fourcc.org/codecs.php
Arguments1:-i "<FullSourceFileName>" -y -threads 1 -vcodec copy -acodec copy "<OutputPath><OutputFileName>.avi"
Arguments2:

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Copy codecs into mp4 container

Executable: ffmpeg.exe
Remarks: Will copy video and audio to mp4 container. You can change container/extension to MXF, MOV, MKV, mpg if you like.
Arguments1:-i "<FullSourceFileName>" -y -threads 1 -vcodec copy -acodec copy "<OutputPath><OutputFileName>.mp4"
Arguments2:

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Copy codecs into QuickTime MOV container

Executable: ffmpeg.exe
Remarks: Will copy video and audio to mov container. It would be best to add -vatg with paramater if known.
Arguments1:-i "<FullSourceFileName>" -y -vcodec copy -acodec copy "<OutputPath><OutputFileName>.mov"
Arguments2:

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Copy to m2v, video only

Executable: ffmpeg.exe
Remarks: Good to extract MPEG-2 video part from MXF, VOB, MOV, MKV etc.
Arguments1:-i "<FullSourceFileName>" -vcodec copy -y "<OutputPath><OutputFileName>.m2v"
Arguments2:

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48 kHz 16bit stereo wav

Executable: ffmpeg.exe
Remarks: Just resamples to 48 kHz and saves 16bit wav file.
Arguments1: -i "<FullSourceFileName>" -acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.wav"
Arguments2:

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48 kHz 16bit stereo wav

Executable: ffmpeg.exe
Remarks: Just resamples to 48 kHz and saves 16bit wav file.
Arguments1: -i "<FullSourceFileName>" -acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.wav"
Arguments2:

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MPEG-2 program stream for 16x9 PAL DVD 2-pass

Executable: ffmpeg.exe
Remarks:
Arguments1:
-i "<FullSourceFileName>" -y -f mpeg2video -target pal-dvd -aspect 16:9 -pass 1
-passlogfile "<OutputPath><OutputFileName>.log"
-an  NUL
Arguments2:
-i "<FullSourceFileName>" -y -f mpeg2video -target pal-dvd -aspect 16:9 -pass 2
-passlogfile "<OutputPath><OutputFileName>.log"
-acodec mp2 -b:a 192k "<OutputPath><OutputFileName>.mpg"

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h264 in mp4 very slow v 6Mbit a 192Kbit QT Player compatible 4:2:0

Executable: ffmpeg.exe
Remarks: Available presets in descending order of speed are: ultrafast, superfast, veryfast, faster, fast, medium, slow, slower, veryslow, placebo.
Guide here: http://ffmpeg.org/trac/ffmpeg/wiki/x264EncodingGuide
More about the aac codec http://ffmpeg.org/trac/ffmpeg/wiki/AACEncodingGuide
Arguments1: -i "<SourceFileName>" -y -pass 1 -passlogfile "<OutputPath><OutputFileName>.log" -c:v libx264 -preset veryslow -b:v 6000k -pix_fmt yuv420p -an -f mp4 "NUL"
Arguments2:
-i "<SourceFileName>" -pass 2 -passlogfile "<OutputPath><OutputFileName>.log" -c:v libx264 -preset veryslow -b:v 6000k -pix_fmt yuv420p
 -strict experimental -c:a aac -cutoff 15000 -b:a 192k -f mp4 -y "<OutputPath><OutputFileName>.mp4"

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WebM 1280x720 2-pass 4Mbit

Executable: ffmpeg.exe
Remarks: No fields resize. Native codec for YouTube
Arguments1:
-i "<SourceFileName>" -y -s 1280x720 -passlogfile "<<OutputPath><OutputFileName>" -vcodec libvpx -g 120 -rc_lookahead 16 -level 216 -profile:v 0 -qmax:v 42 -qmin:v 10 -vb 2M -maxrate 24M -minrate 100k -b:v 4000k -pass 1 -an -f webm NUL
Arguments2:
-i "<SourceFileName>" -y -s 1280x720 -passlogfile "<OutputPath><OutputFileName<" -vcodec libvpx -g 120 -rc_lookahead 16 -level 216 -profile:v 0 -qmax:v 42 -qmin:v 10 -vb 2M -maxrate 24M -minrate 100k -b:v 4000k -pass 2 -acodec libvorbis -b:a 100k -f webm "<OutputPath><OutputFileName>.webm"

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MPEG-1 368x288 2-pass Aspect 16x9. Qood for approvals. Does play on every computer.

Executable: ffmpeg.exe
Remarks: No fields resize. 16:9 PAL
Arguments1:
-i "<SourceFileName>" -y -s 368x288 -aspect 16:9 -vcodec mpeg1video -b:v 1000k -qmin 1 -qmax 3 -mbd rd -trellis 2 -cmp 2 -subcmp 2 -g 18 -an -passlogfile "<OutputPath><OutputFileName>" -pass 1 -f mpeg1video NUL
Arguments2:
-i "<SourceFileName>" -y -s 368x288 -aspect 16:9 -vcodec mpeg1video -b:v 1000k -qmin 1 -qmax 3 -mbd rd -trellis 2 -cmp 2 -subcmp 2 -g 18 -acodec mp2 -ar 44100 -ac 1 -b:a 160k -passlogfile "<OutputPath><OutputFileName>" -pass 2 "<OutputPath><OutputFileName>.mpg"

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PNG file sequence

Executable: ffmpeg.exe
Remarks: Uses 6 decimal places. ffmbc may open more proffessional formats.
Arguments1: -i "<FullSourceFileName>" -vf  "format=rgb24" -f image2  -y  "<OutputPath><OutputFileName>_%06d.png"
Arguments2:

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TGA file sequence

Executable: ffmpeg.exe
Remarks: Uses 6 decimal places. ffmbc may open more proffessional formats.
Arguments1: -i "<FullSourceFileName>" -vf  "format=rgb24" -f image2  -y  "<OutputPath><OutputFileName>_%06d.tga"
Arguments2:

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ffmbc.exe

25 Mbit DV in AVI container 16x9 letterboxed to 4x3 PAL

Executable: ffmbc.exe  ver. 0.7+
Remarks: Fields aware, input 720x576 PAL 16:9 top fields, output 720x576 PAL letterboxed 4:3 bottom fields, for DV, MOV or MXF just rename the extension ".avi". It would be best to add -vatg with paramater if known. http://www.fourcc.org/codecs.php
Arguments1:
-i "<FullSourceFileName>" -threads 1 -y -tff -flags +alt+ilme+ildct
-vf format=bgr24,scale=720:432:interl=1,pad=720:576:0:71:black,fieldorder=bff
-aspect 4:3 -vcodec dvvideo -vtag dvsd -pix_fmt yuv420p
-acodec pcm_s16le -ar 48000 -ac 2 "<OutputPath><OutputFileName>.avi"
Arguments2:

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DVCPro 50Mbit resize to 720x576 16x9 PAL DV container

Executable: ffmbc.exe  ver. 0.7+
Remarks: Fields aware, 50Mbit/s,input top fields, output bottom fields, aspect 16:9, for 4:3 change to "-aspect 4:3", for AVI, MOV or MXF just rename the extension ".dv".
Arguments1:
-i "<FullSourceFileName>" -threads 1 -y -bff -flags +alt+ilme+ildct
-vf "format=bgr24,scale=720:576:interl=1,crop=720:575:0:1,pad=720:576:0:1:black"
-aspect 16:9 -pix_fmt yuv422p -y "<OutputPath><OutputFileName>.dv"
Arguments2:

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DVCPRO100 interlaced 422 stereo audio PAL in MOV container

Executable: ffmbc.exe  ver. 0.7+
Remarks: Fields aware, 100Mbit/s, in and out top fields, for AVI, DV or MXF just rename the extension ".mov".
Arguments1:
-i "<FullSourceFileName>" -tff
-vf scale=1440:1080:interl=1 -vb 100M -pix_fmt yuv422p -vcodec dvvideo -aspect 16:9
-ar 48000 -ac 2 -acodec pcm_s16le -y  "<OutputPath><OutputFileName>.mov"
Arguments2:

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DNxHD 185Mbit 25fps interleased in MOV container

Executable: ffmbc.exe  ver. 0.7+
Remarks: Avid MC native DNxHD, 8-bit PAL, highest quality, expects 1920x1080 input
Arguments1: -i "<FullSourceFileName>" -vcodec dnxhd -flags -b 185M "<OutputPath><OutputFileName>.mov"
Arguments2:

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Find syntax for different bitrate or framerate here.

XDCAMHD 422 50Mbit 1stereo audio to 4x 24bit mono audio MXF container

Executable: ffmbc.exe ver. 0.7+
Remarks: Stores input stereo audio 2 times into channels 1&2 and 3&4,  for MOV just rename the extension ".MXF" to ".mov"
Arguments1:
-i "<FullSourceFileName>" -tff
-map_audio_channel 0:1:0:0:1:0
-map_audio_channel 0:1:1:0:2:0
-map_audio_channel 0:1:0:0:3:0
-map_audio_channel 0:1:1:0:4:0
-acodec pcm_s24le -ar 48000 -ac 4
-target xdcamhd422 -vtag xd5c -y  "<OutputPath><OutputFileName>.MXF"
-newaudio -newaudio -newaudio
Arguments2:

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Find syntax for different bitrate or framerate here.

XDCAMHD422 in MOV container

Executable: ffmbc.exe  ver. 0.7+
Remarks: For MOV just rename the extension ".MXF" to ".mov"
Arguments1: -i "<FullSourceFileName>" -tff -target xdcamhd422 -y  "<OutputPath><OutputFileName>.MXF"
// Get suitable -vtag argument from here
// "xd54" XDCAM HD422 720p24 CBR
// "xd59" XDCAM HD422 720p60 CBR
// "xd5a" XDCAM HD422 720p50 CBR
// "xd5b" XDCAM HD422 1080i60 CBR
// "xd5c" XDCAM HD422 1080i50 CBR
// "xd5d" XDCAM HD422 1080p24 CBR
// "xd5e" XDCAM HD422 1080p25 CBR
// "xd5f" XDCAM HD422 1080p30 CBR]]
Arguments2:

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Find syntax for different bitrate or framerate here.

IMX 30Mbit 16x9 letterboxed to 4x3 in MXF container PAL

Executable: ffmbc.exe  ver. 0.7+
Remarks: Fields aware, for MOV just rename the extension ".MXF" to ".mov"
Arguments1:
-i "<FullSourceFileName>" -tff -vf scale=720:432:interl=1,pad=720:576:0:72:black:aspect=4:3 -target imx30 -y
-metadata reel_name="myReel" -aspect 4:3 -timecode 10:00:00:00 -y  "<OutputPath><OutputFileName>.MXF"
Arguments2:

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IMX 50Mbit 2ch 16bit audio in MXF 16x9 PAL

Executable: ffmbc.exe  ver. 0.7+
Remarks: good for Avid Media Composer, for MOV just rename the extension ".MXF" to ".mov"
Arguments1: -i "<FullSourceFileName>" -tff -target imx50 -y -aspect 16:9 -acodec pcm_s16le -ar 48000 -ac 2 -y  "<OutputPath><OutputFileName>.MXF"
Arguments2:

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IMX 30Mbit 16x9 in MOV container PAL

Executable: ffmbc.exe  ver. 0.7+
Remarks: good for Avid Media Composer and FCP, for MXF just rename the extension ".mov" to ".MXF"
Arguments1: -i "<FullSourceFileName>" -tff -target imx30 -y -metadata reel_name="myReel" -aspect 16:9 -timecode 10:00:00:00 -y  "<OutputPath><OutputFileName>.mov"
// Fourcc tags for IMX are:
// IMX 30 PAL -> mx3p NTSC -> mx3n
// IMX 40 PAL -> mx4p NTSC -> mx4n
// IMX 50 PAL -> mx5p NTSC -> mx5n
Arguments2:

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IMX30 in MOV container 16x9 Replace audio with new file

Executable: ffmbc.exe  ver. 0.7+
Remarks: When you add a job with this preset a filedialog opens and asks for a file with new audio.
Arguments1: -i "<SourceFileName>" -i "<AskAdditionalSourceFile>" -tff -target imx30 -y -metadata reel_name="AnotherGUI" -aspect 16:9  -vtag mx3p
-map_audio_channel 1:0:0:0:1:0 -map_audio_channel 1:0:1:0:1:1 -acodec pcm_s16le -timecode 00:00:00:00 "<OutputPath><OutputFileName>_replaced_audio.MOV"
// Fourcc tags for IMX are:
// IMX 30 PAL -> mx3p NTSC -> mx3n
// IMX 40 PAL -> mx4p NTSC -> mx4n
// IMX 50 PAL -> mx5p NTSC -> mx5n
Arguments2:

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MPEG-2 elemantary IMX50 PAL 25fps 16x9 m2v + 2x wav

Executable: ffmbc.exe  ver. 0.7+
Remarks: good for Avid Liquid/Chrome Xe
Arguments1:
-i "<FullSourceFileName>" -tff -vf scale=720:576:interl=1 -aspect 16:9
-vcodec mpeg2video -r 25 -pix_fmt yuv422p -minrate 50000k -maxrate 50000k -b 50000k -intra
-flags +low_delay -dc 10 -flags2 +ivlc+non_linear_q -ps 1 -qmin 1 -qmax 3
-bufsize 2000000 -rc_init_occupancy 2000000 -rc_buf_aggressivity 0.25 -y "<OutputPath><OutputFileName>.m2v"
-map_audio_channel 0:1:0:1:0:0 -acodec pcm_s16le -ar 48000 -ac 1 -y "<OutputPath><OutputFileName>_1.wav"
-map_audio_channel 0:1:1:2:0:0 -acodec pcm_s16le -ar 48000 -ac 1 -y "<OutputPath><OutputFileName>_2.wav"
Arguments2:

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MPEG-2 I-Frame only Resize 1920x1080 No fields scaling Highest quality m2v + 2x mono wav

Executable: ffmbc.exe  ver. 0.7+
Remarks: Progressive sharp resize, good to resize DSLR 1088p footage, good for Avid Liquid/Chrome Xe
Arguments1:
-i "<FullSourceFileName>" -s 1920x1080 -sws_flags lanczos -vcodec mpeg2video -pix_fmt yuv422p -qscale 1 -qmin 1 -intra -y "<OutputPath><OutputFileName>.m2v"
-map_audio_channel 0:1:0:1:0:0 -acodec pcm_s16le -ar 48000 -ac 1 -y "<OutputPath><OutputFileName>_1.wav"
-map_audio_channel 0:1:1:2:0:0 -acodec pcm_s16le -ar 48000 -ac 1 -y "<OutputPath><OutputFileName>_2.wav"
Arguments2:

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<(p>

MPEG-2 I-frame only Max quality No scaling in MOV container Stereo audio

Executable: ffmbc.exe  ver. 0.7+
Remarks: Good for FCP, Avid Liquid/Chrome Xe, for AVI or MXF container cahnge the extension.
Arguments1:-i "<FullSourceFileName>" -vcodec mpeg2video -pix_fmt yuv422p -qscale 1 -qmin 1 -intra -acodec pcm_s16le -ar 48000 -ac 2 -y "<OutputPath><OutputFileName>.mov"
Arguments2:

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x264.exe

h264 15Mbits 1080p REC 709 material for Blueray video only

Executable: x264.exe
Remarks: Video only. Change bitrate from default 15Mbit/sec to your favorite.
Arguments1:
--bitrate 15000 --preset veryslow --tune film --bluray-compat --vbv-maxrate 40000 --vbv-bufsize 30000 --level 4.1 --keyint 25 --open-gop --slices 4 --fake-interlaced --colorprim "bt709" --transfer "bt709" --colormatrix "bt709" --sar 1:1 --pass 1 --stats "<OutputPath><OutputFileName>.log" -o "<OutputPath><OutputFileName>.264" "<FullSourceFileName>"
Arguments2: 
--bitrate 15000 --preset veryslow --tune film --bluray-compat --vbv-maxrate 40000 --vbv-bufsize 30000 --level 4.1 --keyint 25 --open-gop --slices 4 --fake-interlaced --colorprim "bt709" --transfer "bt709" --colormatrix "bt709" --sar 1:1 --pass 2 --stats "<OutputPath><OutputFileName>.log" -o "<OutputPath><OutputFileName>.264" "<FullSourceFileName>"
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Imagemagick convert.exe

Convert to TIF file. Load every frame as separate file/job.

Executable: convert.exe from ImageMagic
Remarks: ImageMagic has very rich toolset and able to work with images more than 8 bits per channel. Doesn't take video files. Good to patchconvert file sequences.
Arguments1:> "<FullSourceFileName>" -colorspace sRGB -depth 8 -define png:format=png32  "<OutputPath><OutputFileName>.TIF"
Arguments2:

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Convert to 24bit sRGB PNG Load every frame as separate file/job.

Executable: convert.exe from ImageMagic
Remarks: ImageMagic has very rich toolset and able to work with images more than 8 bits per channel. Doesn't take video files. Good to patchconvert file sequences.
Arguments1:"<SourceFileName>" -colorspace sRGB -depth 8 -define png:format=png32 "<OutputPath><OutputFileName>.PNG"  
Arguments2:

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Convert Rec709 1920x1080 RGB footage to 12bit 2048x1080 XYZ color space P3 gamma TIF files for DCP. Load every frame as separate file/job.

Executable: convert.exe from ImageMagic
Remarks: ImageMagic has very rich toolset and able to work with images more than 8 bits per channel. Doesn't take video files. Good to patchconvert file sequences.
Arguments1:
"<FullSourceFileName>" -alpha Off -resize 2048x1152 -crop 2048x1080-0+36 +repage -depth 12 -gamma 0.454545
-recolor "0.4124564 0.3575761 0.1804375 0.2126729 0.7151522 0.0721750 0.0193339 0.1191920 0.9503041"
-gamma 2.6  "<OutputPath><OutputFileName>.TIF"
Arguments2:

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image_to_j2k.exe

Make DCP 12bit J2K files. Load every frame as separate file/job.

Executable: image_to_j2k.exe from Open cinema Tools
Remarks: There was a version that converted totally black source frames to black and white only what is not DCP compilant. Recomended input 12bit TIF files. Good to patchconvert file sequences.
Arguments1: -cinema2K 24 -i  "<FullSourceFileName>" -o  "<OutputPath><OutputFileName>.j2c" -OutFor j2c
Arguments2:

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Mencoder.exe

Mencoder: PAL Resize to 720x576, 25fps, DV codec, AVI container

Executable: mencoder.exe
Remarks: If source is not 720x576 then scaling is not fileds aware. Fields flaged as should bottom fields but in reality video is top fields.
It would be best to add -vatg with paramater if known. http://www.fourcc.org/codecs.php
Arguments1:
-oac pcm -ovc lavc -lavcopts acodec=pcm_s16le:vcodec=dvvideo -vf scale=720:576,harddup
-srate 48000 -af lavcresample=48000 -ofps 25 -ffourcc dvsd -o "<OutputPath><OutputFileName>.avi" "<FullSourceFileName>"
Arguments2: 

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Virtualdub.exe

VirtualDub: Save to Matrox MPEG-2 I-frame or any codec, AVI container

Executable: VirtualDub.exe
Remarks: At first you have to create a preset file *.vcf in VirtualaDub and replace it in this script.
Arguments1: /c /s"C:\Program Files\VirtualDub\Matrox 50Mbit.vcf" /p"<FullSourceFileName>","<OutputPath><OutputFileName>.avi" /r /x /h
Arguments2: 

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HandBrakeCLI.exe

High Profile MP4

Executable: HandBrakeCLI.exe
Remarks: DeTeleCine, HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 -a 1,1 -E faac,copy:ac3
-B 160,160 -6 dpl2,auto -R Auto,Auto -D 0.0,0.0 -f mp4 --detelecine --decomb --loose-anamorphic -m -x b-adapt=2:rc-lookahead
Arguments2: 

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Normal Profile MP4

Executable: HandBrakeCLI.exe
Remarks: Anamorphic, HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 -a 1 -E faac
-B 160 -6 dpl2 -R Auto -D 0.0 -f mp4 --strict-anamorphic -m -x ref=2:bframes=2:subme=6:mixed-refs=0:weightb=0:8x8dct=0:trellis=0
Arguments2: 

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Universal for iThings and Mac

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 -a 1,1 -E faac,copy:ac3
-B 160,160 -6 dpl2,auto -R Auto,Auto -D 0.0,0.0 -f mp4 -X 720 -2 -T --loose-anamorphic -m -x cabac=0:ref=2:me=umh:bframes=0:weightp=0:8x8dct=0:trellis=0:subme=6
Arguments2: 

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iPod Legacy

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -b 1500 -a 1 -E faac
-B 160 -6 dpl2 -R Auto -D 0.0 -f mp4 -I -X 640 -m -x level=30:bframes=0:weightp=0:cabac=0:ref=1:vbv-maxrate=1500:vbv-bufsize=2000:analyse=all:me=umh:no-fast-pskip=1:psy-rd=0,0:subme=6:8x8dct=0:trellis=0
Arguments2: 

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iPhone Legacy

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -b 960 -a 1 -E faac
-B 128 -6 dpl2 -R Auto -D 0.0 -f mp4 -I -X 480 -2 -T -m -x level=30:cabac=0:ref=1:analyse=all:me=umh:no-fast-pskip=1:psy-rd=0,0:bframes=0:weightp=0:subme=6:8x8dct=0:trellis=0
Arguments2: 

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iPod small size

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -b 700 -a 1 -E faac
-B 160 -6 dpl2 -R Auto -D 0.0 -f mp4 -I -X 320 -2 -T -m -x level=30:bframes=0:weightp=0:cabac=0:ref=1:vbv-maxrate=768:vbv-bufsize=2000:analyse=all:me=umh:no-fast-pskip=1:subme=6:8x8dct=0:trellis=0
Arguments2: 

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iPhone, iPod Touch

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 -a 1 -E faac
-B 128 -6 dpl2 -R Auto -D 0.0 -f mp4 -X 480 -2 -T -m -x cabac=0:ref=2:me=umh:bframes=0:weightp=0:subme=6:8x8dct=0:trellis=0
Arguments2: 

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iPhone 4

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 --pfr -a 1 -E faac
-B 160 -6 dpl2 -R Auto -D 0.0 -2 -T -f mp4 -4 -X 960 --loose-anamorphic -m
Arguments2: 

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iPad

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 -2 -T --pfr -a 1 -E faac
-B 160 -6 dpl2 -R Auto -D 0.0 -2 -T -f mp4 -4 -X 1024 --loose-anamorphic -m 
Arguments2: 

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Apple TV legacy

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -b 2500 -a 1,1 -E faac,copy:ac3
-B 160,160 -6 dpl2,auto -R Auto,Auto -D 0.0,0.0 -2 -T -f mp4 -4 --strict-anamorphic -m -x ref=1:b-pyramid=none:weightp=0:subme=5:me=umh:no-fast-pskip=1:cabac=0:weightb=0:8x8dct=0:trellis=0
Arguments2: 

Download a presetDownload

Apple TV

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 -a 1,1 -E faac,copy:ac3 -B 160,160 -6 dpl2,auto -R Auto,Auto
-D 0.0,0.0 -2 -T -f mp4 -4 -X 960 --loose-anamorphic -m -x cabac=0:ref=2:me=umh:b-pyramid=none:b-adapt=2:weightb=0:trellis=0:weightp=0:vbv-maxrate=9500:vbv-bufsize=9500
Arguments2: 

Download a presetDownload

Apple TV 2

Executable: HandBrakeCLI.exe
Remarks:  HandbarkeCLI instructions.
Arguments1:
-i "<FullSourceFileName>" -o "<OutputPath><OutputFileName>.mp4" -e x264 -q 20.0 --pfr -a 1,1 -E faac,copy:ac3
-B 160,160 -6 dpl2,auto -R Auto,Auto -D 0.0,0.0 -2 -T -f mp4 -4 -X 1280 --loose-anamorphic -m
Arguments2: 

Download a presetDownload

r128gain.exe

Normalize audio to EBU R128 standard

Executable:r128gain.exe
Remarks: Writes a new WAv file. No spaces allowed in file name or path!!!!
Arguments1: "--command=sox %TRACK% <FullSourceFileNameWOExtension>_R128.wav gain %TGDB%" "<FullSourceFileName>" -o "R128"
// Documentation http://r128gain.sourceforge.net/
// SOX documentation: http://sox.sourceforge.net/Main/HomePage
Arguments2: 

Download a preset.Download